232 Royalty-Free Audio Tracks for "Harmonic Plus Stochastic Model"

*Sixty-seventh harmonic on C = ?. Just: 67/64 = 79.31 cents. Limit: 67-limit. MIDI pitch bend: 49,89 on PU

E-flat harmonic minor scale ascending and descending.

This is a transformation of the original recording https://freesound. Org/people/pinehadmz/sounds/369501/. For week 10 "musical piece" assignment for the audio signal processing for music applications online class. There are three layers, panned in stereo. Each syllable of each layer was randomly pitch shifted to a note in the minor scale using the harmonic plus stochastic model. Each harmonic track was thickened with extra harmonics during the synthesis process too to make it extra weird.

Harmonic component obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.

Stochastic approximation of the residual signal obtained after subtracting the harmonics from a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Harmonic plus stochastic resynthesis of the female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

This a amaj drone tone created from an orchestra tuning sound segment (http://www. Freesound. Org/people/acclivity/sounds/24205/). Through an harmonic model, the low brass section have been separated of the trumpets and then a series of harmonic (harmonizer) transformations have been done in order to include a major third and a perfect fifth in the f0 = a2 harmonic serie. The a tuning is a little bit down from 110hz (~106-107hz).

Harmonic component obtained from the analysis of a female speech sound: http://www. Freesound. Org/people/xserra/sounds/254374/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 2001- fft size: 2048- magnitude threshold: -100- minimum duration of sinusoidal tracks: 0. 05- maximum number of harmonics: 100- minimum fundamental frequency: 150- maximum fundamental frequency: 250- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 0. 05stochastic approximation factor: 1.

Ich steh an deiner Krippen hier, melody, basso & harmonization: Johann Sebastian Bach (BWV 469); replenishment of basso, transposition to A minor & sound file: Rabanus Flavus (Peter Gerloff)

Plus sound.

A little stream of water producing constant water drops. Hint: this file was recorded at 96 khz samplerate, try to play this at 44,1 khz, sounds more interesting. Recorded with zoom h1. No postprocessing. ---if you want, you can send me a tip using:- bitcoin cash (bch): 1htyelrfkftg9bvnph9wcrnyvmh83ve5qq- or bitcoin (btc): 1mvenxia6sajzrqsztb1cv4wetaalqsz66(but don't feel obliged to).

The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

The first 4 seconds ofraw audio of moderate rainfall in witley, england posted by inspectorjseptember 5th, 2017.

I took a big metal box with tea leaves inside and applied constant rotating motion to it. Can be looped perhaps. Hint: it was recorded at 96 khz, try playing this at 41,1 khz, sounds interesting. Recorded with zoom h1. No postprocessing.

Auf, auf, mein Herz, mit Freuden, melody by Johann Crüger (1598 – 1662), basso and harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 441, adapted to Crüger's original melody by Rabanus Flavus (Peter Gerloff) Auf, auf, mein Herz, mit Freuden, Melodie von Johann Crüger, Bass und Harmonisierung von Johann Sebastian Bach (BWV 441), angepasst an Crügers Originalmelodie (Evang. Gesangbuch 112) von Rabanus Flavus (Peter Gerloff)

Roland vocoder plus vp-330 strings c0-c4 in halbtonschritten tone.

06 vp-330 human voice female 4' c2-c4 in halbtonschritten ensemble rate delay time 0 depth 0.

05 vp-330 human voice female 4' c2-c4 in halbtonschritten rate 0 delay time 0 depth 0.

07 vp-330 human voice male 8' c0-c4 in halbtonschritten ensemble rate 0 delay time 0 depth 0.

Stochastic component.

Short, three-field example of stochastic generation of clouds of sound using only sinusoids. Done with blue (of steven yi) as an environment for csound, and pmask (a replacement for cmask done in python) from inside blue.

Harmonics at the 12th fret of a guitar. Clean sound, finger picked, chimey and bell-like.

Tap/faucet turning on and off and having the plug pulled.

03 vp-330 human voice male 8' c0-c4 in halbtonschritten rate 0 delay time 0 depth 5.

02 vp-330 human voice male 8' c0-c4 in halbtonschritten rate 0 delay time 10 depth 10.

09 vp-330 human voice female 4' c2-c4 in halbtonschritten ensemble rate 0 delay time 5 depth 5.

04 vp-330 human voice male 8' c0-c4 in halbtonschritten rate 0 delay time 0 depth 0.

08 vp-330 human voice male 8' c0-c4 in halbtonschritten ensemble rate 0 delay time 5 depth 5.

This is from my royal typewriter that i picked up at the thrift store for 5 bucks. It works great and i use it quite a bit to write letters with. I love the feel and sound of the keys. I used two yamaha pocketrak recorders to record it. If you use it please comment on what you will use it for. Thanks. :^).

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. This is a combination of the harmonic component and the stochastic component. It was extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Stochastic residual.

Resynthesized output obtained from the analysis of a sound of erhu : http://freesound. Org/people/ricemutt/sounds/23933/. This was done using the harmonic plus stochastic model implemented in the sms tools: http://mtg. Upf. Edu/technologies/sms. The parameters used for the analysis were:. - window: blackman- window size: 1601- fft size: 2048- magnitude threshold: -90- minimum duration of sinusoidal tracks: 0. 1- maximum number of harmonics: 20- minimum fundamental frequency: 100- maximum fundamental frequency: 2000- maximum error in f0 detection algorithm: 5- max frequency deviation in harmonic tracks: 10stochastic approximation factor: 0. 2.

Harmonic sinusoidal output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Created in the sampler from hand drum hit and processing.

Made in korg gadget. Chicago.

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The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

This is used by system of a down's co-leader daron malakian in the song suite pee. Making the harmonics sound on the guitar, just putting the finger close to the strings.

Harmonics plucked on a taylor guitar.

I don't know how to play the harmonica, but as a kid i always played blow it somehow. This was an experimentation with her. Performed by anamín lizama. Recorded indoor with tascam dr-40.

Inspired by beat mapping a flock of crows chirping; i mapped my own rhythm and beat using a variety of sounds. I don't believe such an instrument exists but it sounds lovely. If you wish to use this, credit my name; otherwise enjoy.

Clean electric guitar harmonics.

Clean electric guitar harmonics.

Clean electric guitar harmonics.

Clean electric guitar harmonics.

Clean electric guitar harmonics.

Clean electric guitar harmonics.